Screenwriter Ruth Fowler, writing in WIRED, describes completing 20 AI data-labelling and content-generation contracts across five different platforms over eight months — work she characterises as "soul-crushing" but financially necessary in a market where traditional commissions have become scarce.
Fowler's account points to a broader, largely unspoken trend in the entertainment industry: experienced writers, story editors, and other television professionals are quietly selling their creative expertise to AI companies, helping train large language models on narrative structure, dialogue, character development, and screenplay formatting.
The phenomenon draws a pointed parallel to an earlier era of Hollywood precarity. Just as aspiring writers once waited tables between gigs, AI training work has become the stop-gap employment of choice for those with creative credentials but diminishing conventional opportunities.
"Everyone who used to make TV is now secretly training AI," Fowler writes, suggesting the practice is far more widespread than the industry publicly acknowledges.
The work typically involves tasks such as rating AI-generated story ideas, rewriting weak machine-produced dialogue, or producing original creative content to expand training datasets — labour that draws directly on the skills writers spent years developing for studio and network projects.
For AI companies, the arrangement provides access to high-quality domain expertise at contractor rates, without the costs associated with full-time employment. For the writers, it offers flexible income, though accounts like Fowler's suggest the pay is modest and the work emotionally taxing.
The situation raises thorny questions that remain unresolved in ongoing negotiations between writers' guilds and studios over AI use in production. Critics argue that writers training AI systems on their own creative knowledge are, in effect, helping to automate their own profession — a dynamic with few historical precedents in creative industries.
The Writers Guild of America secured some provisions around AI use in its 2023 contract with major studios, but those rules govern AI's role in credited productions, not the separate market for AI training labour, where individual contractors operate largely outside collective bargaining protections.
The scale of the trend remains difficult to quantify. AI data-labelling platforms typically prohibit contractors from disclosing their work, which may explain why, as Fowler notes, it is happening "secretly." The opacity suits both parties in the short term, but leaves the broader industry without a clear picture of how extensively creative expertise is being fed into AI systems.