Army veteran and Afghan refugee turn shared grief into art exhibition

Sparks in the Dark at Melbourne's Shrine of Remembrance features 260 handkerchiefs embroidered by women in Afghanistan

By LineZotpaper
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A former Australian soldier who served two tours in Afghanistan and an Afghan refugee who fled Kabul after the Taliban returned to power have forged an unlikely friendship through art. Their collaboration, Sparks in the Dark, is now showing at Melbourne's Shrine of Remembrance, featuring handkerchiefs embroidered by women still living in Afghanistan.

Kat Rae, 45, served in the Australian Army for 20 years, including two tours of Afghanistan. Mursal Azizi, 33, came to Australia as an Afghan refugee after fleeing Kabul when the Taliban came to power in 2021. The pair met at a cafe in North Fitzroy in February 2025 through a mutual friend and connected as artists and as people with a link to Afghanistan.

Rae, whose husband died by suicide in 2017, said Azizi told her she felt lonely, a feeling Rae recognised as a widow. Azizi wanted to find a way to help women still in Afghanistan, and the two began working together.

Sparks in the Dark features 260 handkerchiefs embroidered by women living in Afghanistan, one for each week since the Taliban took Kabul. At its opening, Rae recited the lines "They shall not grow old as we that are left grow old" from Laurence Binyon's For The Fallen. She said Afghan attendees were crying, their grief raw, and that Azizi hugged her and called the words perfect.

Rae said she had wondered whether Afghans would be angry at her, feeling Australia had let them down, but Azizi was grateful. "The Afghans I've met understand loss and know we feel it, too," Rae said.

Rae reflected on the Afghan word hamdard, which means shared grief, a shoulder-to-shoulder connectedness. "Australians aren't very good at expressing grief," she said. "But there's something beautiful about expressing grief together and trying to do some good with it."

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Analysis

Why This Matters

  • The project gives Australian audiences a window into the experiences of Afghan women under Taliban rule, expressed through their own handiwork.
  • The friendship between Rae and Azizi shows how people on opposite sides of the same conflict can find common ground in loss.
  • The exhibition personalises the human cost of the Afghanistan war and the ongoing plight of those left behind.

Background

Australia was part of the international mission in Afghanistan for two decades, and thousands of Afghan refugees have been resettled in Australia since the Taliban's return to power. Rae served in the army during that period, while Azizi was among those who fled after Kabul fell in 2021. Their meeting in early 2025 brought these two experiences together, leading to a project that documents, one handkerchief at a time, the weeks since the Taliban took control.

Key Perspectives

Kat Rae (the veteran): Rae initially feared Afghans would resent her for Australia's role in the war, but found gratitude instead. She describes the emotional weight of the opening, where Afghan attendees wept openly. Mursal Azizi (the refugee): Azizi told Rae she felt lonely in Australia and wanted to help women still in Afghanistan. She found Rae's choice of Binyon's words perfect for the occasion. Afghan women embroiderers: The women living in Afghanistan who created the handkerchiefs are the project's silent backbone, their work marking the passage of every week since the Taliban takeover.

What to Watch

  • Whether the exhibition travels beyond Melbourne's Shrine of Remembrance to other Australian venues.
  • Whether the project grows, with the number of handkerchiefs tied to the continuing weeks since the Taliban took Kabul.
  • The ongoing situation for women in Afghanistan, which the project tracks one embroidered handkerchief at a time.

Sources

Zotpaper

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