Clementine, who was born and raised in London to a family of Ghanaian descent, grew up in a strict, religious household where non-Christian music and instruments of any kind were banned. His father, a former professor of mathematics in Liberia, wanted his son to study law.
Speaking via Zoom from his home in California, Clementine recalled the moment that set his path. At five, he was entranced by a classmate's toy piano. When the girl refused to let him play it, he took it, hoping to spend at least one evening with it at home, but was ordered to return it before he had the chance.
"I was looking at this girl with that thing, I remember it like it was yesterday, and I asked her if I could play," he said. "She said no. She just wouldn't give it to me. I was so fascinated by this thing but sad that I couldn't have it. When I looked at it, I got this good feeling I'd never felt before, outside of laughter with my siblings."
Despite having almost no exposure to popular culture as a child, Clementine has become one of contemporary music's most acclaimed voices. His compositions draw on classical, experimental and avant-garde styles, and his work is informed by poetry, literature and the writings of pioneering psychoanalyst Donald Winnicott.