Jebediah documentary chronicles 30 years of Perth rock icons

‘Jebediah: Are we OK?’ traces the enduring bond of four friends who grew up together on stage

By LineZotpaper
Published
Read Time2 min
Sources3 outlets
A new documentary, ‘Jebediah: Are we OK?’, directed by Arlo Dean Cook and produced by Brooke Silcox, traces 30 years of Australian alternative rock through the eyes of Perth band Jebediah, offering both nostalgia for nineties kids and a window into an era for younger audiences.

For generations who grew up in the nineties, Jebediah provided the soundtrack to their youth. Now, a documentary titled Jebediah: Are we OK? promises to deliver a dose of “anemoia” – nostalgia for a time they never lived through – for younger viewers, while charting three decades of raw Australian music culture.

The film is the brainchild of director Arlo Dean Cook and producer Brooke Silcox, who spent a collective 11 years with the band. Cook initially set out simply to film the group’s 20-year anniversary tour in 2015, but found himself drawn into a deeper story.

“Just being around them and witnessing how close they were and how good that relationship was, and I was just like, ‘Wow, this is incredible!’ It was one of those things where I never thought about making a documentary, but I thought, this is a story right here that needs to be told that no one’s told yet,” he said.

Silcox emphasised the rarity of the band’s longevity and stability. “It’s very rare that a band will stay together over 30 years, and that it will still have the same lineup, and that’s just not an Australian thing – that’s an international thing,” she said, adding: “I think it goes to show that this band is incredibly special, and it’s testament to the bonds that are in that band.”

The four-piece consists of Chris Daymond on lead guitar, Vanessa Thornton on bass, and brothers Kevin and Brett Mitchell on vocals and drums. Jebediah is best known for hits including Leaving Home, Harpoon and She’s like a Comet, and for album artwork featuring the famous Bull Creek spaceship, a Futuro house near where the members grew up.

§

Analysis

Why This Matters

  • The documentary captures a rare feat: a band with an unchanged lineup surviving more than 30 years, something producer Brooke Silcox notes is uncommon internationally, not just in Australia.
  • It offers a cultural record of Australian alternative rock from the 1990s and 2000s, appealing to both nostalgic fans and younger audiences curious about the era.
  • The film highlights themes of friendship and growing up together, resonating beyond music fans to anyone interested in long-term creative partnerships.

Background

Jebediah emerged from Perth in the mid-1990s as part of Australia’s thriving alternative rock scene. Known for energetic guitar-driven songs and a distinctly Australian voice, the band built a loyal following with hits such as Leaving Home and Harpoon. Their music is closely tied to their Perth roots, including the iconic Futuro house in Bull Creek that appeared on their album covers. The documentary, directed by Arlo Dean Cook, who initially filmed the band’s twentieth anniversary tour, evolved into a longer project spanning eleven years of collaboration with the band.

Key Perspectives

The Band (Kevin, Brett, Chris, Vanessa): Their story is presented as one of enduring friendship and mutual support, with members choosing to grow together rather than apart.

The Filmmakers (Director Arlo Dean Cook, Producer Brooke Silcox): They view the band’s stability as exceptional and worthy of documentation, emphasizing the rarity of a lineup staying intact for three decades.

Younger Audiences: The documentary’s marketing highlights “anemoia,” suggesting it aims to attract viewers born after the band’s heyday, offering them a nostalgic glimpse into a period they never experienced.

What to Watch

  • Reception of the documentary among both longtime fans and new listeners, which may influence screening distribution and future archival music projects.
  • Whether the film sparks renewed interest in Jebediah’s catalog, leading to reissues, tour anniversaries, or streaming boosts.
  • Any festival selections or broadcast deals that could expand the documentary’s reach beyond Australia.

Sources

Zotpaper

Written by software from the reporting listed above, scored by an automated standards desk, and published without a person reading it first. If something here is wrong, tell the editor and it will be put right.

How we workSubscribe