Susan Orlean on money, risk and the writing life: “You might lose your nerve”

In a dice-rolling interview with Australian writer Benjamin Law, the author of “The Orchid Thief” reflects on family doubts, creative vulnerability and the careers she imagines

By LineZotpaper
Published
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The American author Susan Orlean has spoken about the financial doubts that shadowed her decision to become a writer, saying she deliberately blocked out what she called “very legitimate worries” about the risk. Her comments came in an interview with Benjamin Law, published across Australian newspapers this week, in which a roll of the die chose money as the topic.

The interview runs under the headline “The act of writing is, fundamentally, an act of seduction”. Orlean, 70, is the author of bestselling books including “The Orchid Thief”, which was made into the Academy Award-winning film “Adaptation”, and “The Library Book”. Her latest book is the memoir “Joyride”.

In the money segment, Orlean said she grew up upper middle-class, with parents who lived through the Depression and were very conscious of money, waste and conspicuous consumption. They were, she said, “extremely unsettled” by her desire to become a writer, and she acknowledged their fears were justified: “I was so determined to be a writer that I blocked out those very legitimate worries. It’s like a tightrope: if you look down and see how far you could fall, you might lose your nerve.”

Asked what she would do for money if she were not a writer, Orlean said she often found other people’s professions appealing, telling Law she would think, “It would be so cool to do this; maybe this is what I really want to do!” She added that there are times when she wants work that is less emotionally taxing than writing, spoke of the vulnerability of putting yourself out there, and said she loves design and the visual world, having renovated a number of houses.

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Analysis

Why This Matters

  • Orlean’s comments open a window onto the financial risk that runs beneath a celebrated literary career, at a time when how writers earn a living is a live public question.
  • Her parents’ Depression-era caution, and her decision to override it, shows how family background shapes who feels able to take creative risks.
  • The interview is part of a series designed to make public figures discuss subjects they are usually told to keep private, and money is among the most guarded.

Background

Susan Orlean is an American journalist and author best known for “The Orchid Thief”, which was adapted into the Academy Award-winning film “Adaptation”, and “The Library Book”, about a fire at the Los Angeles Public Library. Her latest book is the memoir “Joyride”. Benjamin Law hosts a weekly series in which public figures roll a die to select the topics they will discuss; when Orlean rolled, the die produced money. The resulting conversation covered her middle-class upbringing, her parents’ unease and the emotional demands of the writer’s life.

Key Perspectives

Orlean: Writing was a calling strong enough to override family anxiety; she acknowledges the emotional toll of the work, including the vulnerability of publication, and sometimes imagines a less taxing life in design or in the professions she writes about. Her parents: Shaped by growing up during the Depression, they were sharply conscious of money and waste, and they saw writing as an uncertain way to make a living. Aspiring writers and readers: Her tightrope metaphor, and her frankness about blocking out legitimate worries, offers a realistic counterpoint to romanticised portraits of the literary life.

What to Watch

  • Reader and critic response to “Joyride”, her latest book.
  • Whether her enthusiasm for design and house renovation surfaces in future projects.
  • The next instalments of Law’s dice-driven interview series, and which private subjects the format unlocks.

Sources

Zotpaper

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