Writing in The Conversation on the 25th anniversary of the attacks, Musgrave notes that the image of New York's skyline — both before and after 9/11 — is instantly recognisable, memorable for the density of its soaring skyscrapers. Yet the skyline presents an idealised view of the city, removed from the grittiness experienced at street level.
For New Yorkers, images of the skyline trigger deep-seated memories; for others, they evoke stories told through literature, musical theatre, and film, cementing the city's place in collective consciousness. Musgrave argues that the consistency of these narratives and the meanings they embody are an indication of the strength of New York's identity.
The article traces the history of Manhattan's skyline, noting that the competition for height was prompted by Elisha Otis' invention of the safety elevator in 1853. This allowed proprietors and architects to reach beyond the standard six stories, initiating an upward trajectory signalling progress, business and status. An early battle occurred from the 1870s among three newspaper proprietors on "Newspaper Row": the Tribune Building (1875) reached 11 stories and 79 metres; the World Building (1890) topped it at 12 stories and 110 metres.
The collapse of the Twin Towers at 10:28am on September 11,2001 dramatically altered the skyline. Resilient New Yorkers responded with fortitude, quickly setting in train processes for memorials and the planning and construction of new towers. That the replacement structures were so greatly anticipated, Musgrave says, points to how profoundly the gap left by the towers was felt.