The story of Niu Lai follows a timid young calf who, after befriending a skylark, slips into a dream where he encounters a spirit snake, a leopard protector and a pack of wolves, eventually waking to bravely step into a new world. The 86-minute feature was produced on a shoestring budget by Xin Yumeng, a self-taught animator, and his mother Sun Lifang, who wrote the screenplay. Despite — or perhaps because of — its rough, homemade quality, the film has captured the public imagination.
Early attention on social media platforms like Douyin and Weibo was overwhelmingly mocking. Critics called the animation “pure handmade” and compared it unfavorably to mainstream Chinese animated features such as ‘Ne Zha’ and ‘White Snake.’ Yet that ridicule quickly gave way to curiosity. Audiences began attending screenings partly to see a film so bad it might be entertaining, but many left with a different impression.
“The film has a sincerity that big-budget productions often lack,” wrote one influential Chinese film blogger. Others praised the mother-son team’s passion and persistence. The narrative of a family working for years on a project that was initially dismissed resonated deeply in a culture that values perseverance and underdog success stories.
The phenomenon reflects a broader trend: Chinese moviegoers are increasingly embracing grassroots, non-corporate storytelling. Similar to the international cult following of ‘The Room’ or ‘Plan 9 from Outer Space,’ Niu Lai has become a shared experience — something to see, laugh at, and ultimately admire. Box office data from Maoyan shows the film’s daily earnings have actually increased over time, suggesting strong word-of-mouth rather than a mere opening-weekend novelty.
However, not everyone is celebrating. Traditional critics argue that celebrating such raw amateur work could devalue professional animation craftsmanship. Others worry the hype may be a bubble driven by fleeting social media trends rather than lasting artistic merit.
Studio executives are closely watching the film’s trajectory. If Niu Lai continues to perform, it could open doors for more micro-budget, independently produced Chinese films. For now, the mother-son duo remain focused on their next project, though they have not announced specific plans.