Portraits of Aberfan's lost children: How one artist helped families grieve for decades

New BBC programme reveals story of William Richardson's paintings of the 116 children killed in the 1966 disaster

By LineZotpaper
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A new BBC programme, Unseen: The Aberfan Portraits, explores how artist William Richardson created about 100 portraits of children killed in the Aberfan disaster, offering families a way to keep their memories alive. For nearly 60 years, the paintings have hung in homes across the Welsh village, becoming cherished reminders of those who never grew up.

On 21 October 1966, a coal tip collapsed above the village of Aberfan, engulfing Pantglas Junior School and nearby homes. The disaster killed 144 people, including 116 children. In the aftermath, artist William Richardson, who had no connection to the village, began creating portraits of the lost children, using school photographs and detailed descriptions provided by grieving parents.

"He saw it on the news and he was so moved by it, he decided to paint them," said his daughter, Jean. "He just wanted to give something back, to show he cared." Richardson never sought payment or recognition. Over the years, he is believed to have produced about 100 portraits.

For many families, the portraits brought comfort. "It brought her back to life," said Denise Morgan, whose younger sister Annette was among those killed. Jeanette Keane, who lost her sister Edwina, recalled her father's reaction: "I remember my father crying when the painting came. If they could have hugged it, they would have."

The portraits became part of daily life. "She was there at Christmas, at parties, always in the room," Denise said. "In our street, every house had one." Survivor Gaynor Madgwick said the portraits "start conversations. People begin talking about their children again."

Richardson worked from Llandudno, Conwy county, where he earned a living sketching visitors and celebrities on the pier. His children said parents would write to him describing their children's appearance and personalities. "He'd ask about their personalities, so he could build that into the painting," Jean said.

Now, as the generation directly affected by the disaster grows older, questions are emerging about what should happen to the portraits. Many remain in family homes, while some have been passed to younger generations. The BBC programme features families sharing their paintings and speaking about how the art helped them grieve.

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Analysis

Why This Matters

  • The Aberfan disaster remains one of the UK's worst mining tragedies, and the story of these portraits shows how communities cope with collective grief.
  • The portraits have become heirlooms, and as survivors age, their preservation and future are becoming uncertain.
  • The programme offers a rare public glimpse into private mourning and the role of art in healing.

Background

The Aberfan disaster occurred on 21 October 1966 when a coal waste tip collapsed onto the village, killing 144 people, most of them children. The tragedy led to changes in mining regulations but left deep emotional scars. Artist William Richardson, a caricaturist on Llandudno Pier, was moved by news coverage and began painting the children, working from photographs and descriptions. He produced about 100 portraits over subsequent years, sending them to families at no cost.

Key Perspectives

[Families]: The portraits provided a tangible connection to lost children, helping them grieve in an era when grief was rarely discussed openly. Many describe the paintings as bringing the children "back to life." [The Richardson family]: William Richardson's children recall their father's tireless work and his desire to give back. They view the portraits as a lasting legacy of his compassion. [The community]: The paintings are woven into village life, serving as conversation starters that keep memories alive. Survivors like Gaynor Madgwick emphasize that the portraits help people talk about the lost children.

What to Watch

  • The fate of the portraits as the generation directly affected ages; some may be donated to archives or museums.
  • The release of the BBC programme may prompt renewed interest in the story and potentially bring more families forward.
  • Any official recognition of Richardson's work, which was done without payment or formal acknowledgment.

Sources

Zotpaper

Written by Rex Doyle on the World desk. Read for legal risk by Marcus Hale, legal. Edited by Angus Burke, chief sub.

1 sourcefirst published 19 Oct, 4:46 pm
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