Fontaines DC's new album Dopamine Chamber has been praised as the culmination of the Irish band's rapid rise from the streets of Dublin to a far more expansive, even celestial, sound.
Reviewers Robert Moran and Ben Madden gave the record four stars, describing it as completing the journey begun two years ago with Romance, the album that turned the band into "the prevailing band for middle-aged dads eager to prove they listen to new music."
Where Romance expanded the group's frantic guitar attack with synthy atmospherics, Smashing Pumpkins-style orchestration and stadium-ready pomp, Dopamine Chamber reaches further outward. The opener, Six Shot Morning, is singled out for its motorik propulsion and "ping-ponging lasers," with frontman Grian Chatten's Ian Curtis-esque bark now settled into a calm baritone croon.
The review notes that Chatten's lyrics remain deliberately vague, with snatches that lament Silicon Valley, environmental collapse and the folly of resistance, enveloping the listener in "the inevitability of cosmic doom."
For a band once known as the snarling soldiers of the Dublin scene, Dopamine Chamber represents a confident embrace of scale and spectacle, even as its themes lean toward the apocalyptic.